Y no tengo voluntad
Patricia - 24 - España

I love cheese, magnets, liquorice and dragons.
Oct

wehaveourdragons:

castiali:

my favorite thing is when someone’s in the shower and you suddenly hear a distant BANG BANG BANG CRASH and you can tell they just knocked over like all of the shampoo bottles

 #my favourite is when you hear a deep heavy sigh afterwards #or a string of curse words

hace 5 horas reblog
198068
Oct
hace 7 horas reblog
1309
Oct

Taylor Schilling joined at Gap’s #DressNormal Project in Brooklyn

hace 7 horas reblog
3071
Oct
hace 7 horas reblog
160755
Oct

Tatiana Maslany plunges new depths as Sarah’s fear envelops her entire body. Sarah shakes uncontrollably, face contorting with disbelief and horror. After trying all throughout the episode to get ahead of her enemies, this is the moment where Sarah has to face up to her own demons, to the dark part she’s been hiding from herself all along. Helena creeping up to her in that white dress while Sarah stands as a column of black isn’t the most subtle symbolism the show’s done, but it’s hard to deny its power. Even aside from the astounding technical feat, the weight of this moment is almost crushing. Here are two women facing each other, the awful things they’ve done, and the horrific things that have happened to them—and finally letting themselves feel it all. Sarah looks into the face of a woman she killed; Helena looks into herself, and realizes something precious has been stolen from her. And so Helena folds herself onto her sobbing sister, and they stand there together as the hunter and hunted, victim and victor, predator and prey. They’re in hell—and there’s no telling when they’ll get out. (x)

hace 7 horas reblog
755
Oct
hace 7 horas reblog
6040
Oct
hace 7 horas reblog
1396
Oct

partybarackisinthehousetonight:

never let your printer know that you waited until the last minute to print something and you’re in a hurry. they can sense fear

hace 7 horas reblog
57515
Oct

feministroosterteeth:

geejayeff:

aaajmachine:

I know you don’t like to talk, but you gotta do it for her.

Yadriel & Maria appreciation post ✿◕‿◕✿

HE SAID MORE THAN HE DID ALL SEASON. I THOUGHT HE DIDN’T CARE. I THOUGHT HE WAS JUST BEING NICE AND LETTING HIS BABY MAMA SEE THE BABY THAT HE PROBABLY DIDN’T REALLY WANT AND BARELY LOOKED AFTER BUT I WAS FUCKING WRONG. I WAS WRONG ABOUT HIM. HE’S JUST QUIET. THE DUDE IS STOIC AS FUCK AND HE FUCKING LOVES MARIA AND HE LOVES THAT BABY AND IT’S FUCKING BEAUTIFUL THE WAY HE GUSHES AND TALKS TO HER LIKE MARIA ASKED HIM TO DO BECAUSE HE WANTS HER TO GROW UP SMART AND LOVED.

But also look at how cute the baby is dressed in each visit. Who did that? Daddy did. But that’s exactly the kind of visual cue that gets lost when he’s getting judged for his bald head, tattoos and stoic (thuggish?) demeanor.

this was actually really important to me because there are tons of reasons for a person being fairly non-verbal. i really liked the portrayal of this relationship because she knows he doesn’t like to talk and it’s not really portrayed as problem for her, it’s not a problem for their relationship, she accepts him for who he is. but she knows that babies need communication for development and he cares about his baby so much that he makes such an effort to do it even though it doesn’t come naturally to him. and it’s so natural in that last scene, it’s so clear he does it all the time and i just really liked this part.

hace 7 horas reblog
269162
Oct
hace 8 horas reblog
23980